| With more than 40 books to her credit during her 20-year career, Linda Lael Miller has made a name for herself in romance. Despite this fact, Don’t Look Now is the first of her books I’ve read in more than 10 years. After reading it, I can’t help but wonder what I’ve been missing.
When Don’t Look Now starts, defense attorney Clare Westbrook has a few problems. She’s being followed by reporters, thanks to a client who was acquitted of drunk driving — “I won an acquittal on the proverbial technicality,” she explains — but who subsequently killed four people, including himself, after drinking and driving again.
And that’s not all. Clare’s boss is murdered, which brings her back in contact with cop Tony Sonterra, her former lover. Her job as a defense attorney caused conflict in their relationship, and the drunk driving case led to their eventual split. As if this weren’t enough, Clare has custody of Emma, her sister’s daughter, and she learns that Emma’s father is being released from jail and wants to see Emma again. Since Clare believes he killed her sister, she is reluctant to let him play any part in Emma’s life. As the story continues, it’s clear that Clare is the focus of the violence. The question is who wants to kill her and why?
Told in first-person narrative, Don’t Look Now is more than 400 pages long but moves at a fast pace. Clare is an engaging heroine with a wry sense of humor, although that’s more evident in the beginning of the novel. It starts with the first sentence: “I didn’t kill Harvey Kredd; somebody beat me to it.”
This book succeeds on a number of levels. Miller skillfully weaves interconnected subplots and offers several viable suspects. At times the plot requires considerable suspense of disbelief, particularly as the body count climbs, but I was won over by the memorable characters and excellent pacing.
Although I was engrossed in the story, Tony Sonterra is the one who really won me over. He’s passionate yet protective, gentle with both Clare and Emma. Some male characters would sound macho and overbearing when saying, “I know what you need, and I’m going to give it to you.” When Sonterra says it to Clare, he is expressing a combination of desire and sweetness that’s completely irresistible.
The only disappointment about Don’t Look Now is that the romance takes a back seat to the suspense. The story also ends somewhat abruptly, but I’ve discovered that Claire and Tony will be featured in two more books. The ending makes more sense in that context, and I’ll be there for the next installment.
--Alyssa Hurzeler
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