| Kaz Jorgensen has put her corporate life on hold to return to a
sleepy Oregon fishing village she once called home. Her twin brother
Gary has been behaving oddly. Concerned that he may have financial
worries or that he may be dealing with posttraumatic syndrome, she
offers her support but is rejected. When the family boat explodes and
a dead man is pulled off the wreckage, Kaz gets her chance. Gary is
suspected of murder and arson, and his sudden disappearance
apparently confirms his guilt. Kaz pulls all stops to clear his name.
To do so, she must find him before the police do.
Standing in her way is Michael Chapman, the new fire chief. Michael
lost his fiancée several years ago when an arsonist he was
investigating took out his anger on her. On the verge of a nervous
breakdown, Michael moved from Boston to Astoria and is now resolved
to be as objective and detached as possible. This means not getting
involved with the sister of an arson suspect.
The problem is, of course, that Michael and Kaz are attracted to each
other. They therefore spend a considerable time reminding themselves
why they should ignore their lustful thoughts. Their qualms make
sense, but do we really need to hear them so often?
Michael feels very protective towards Kaz and seems to think this
gives him the right to order her about. So when he isn’t dealing with
his inner demons, he comes off as quite overbearing.
Kaz convincingly stands her ground. After all, she is a seasoned
navigator and knows how to assess risks. Her emotions are a bit too
high-pitched for someone whose livelihood depends on steady nerves.
This was slightly annoying, but not out of character, given her
concerns for her only living relative.
The setting contributes nicely to the story: Michael and Kaz’s
romance is given some angst-free space to grow while they are fishing
(retrieving crab pots, to be precise). Astoria’s closed-off mentality
sounds authentic and adds another roadblock to the investigation.
Things are nevertheless set up so the reader can immediately tell the
good guys from the bad ones. The former are friendly and helpful. The
others just don’t have the right attitude, be it towards fishing or
towards Kaz and her brother. This took much of the surprise out of
the who-done-it. Although it wasn’t possible to predict every detail
of the criminal conspiracy, it was always easy to recognize the guilty.
The pacing is much better in the second half when we don’t have to
trawl through pages and pages of the should-I-shouldn’t-I debate. The
dangers multiply as Kaz and her allies fight off armed attacks, dodge
bullets and navigate through dangerous waters. Even if most twists
are foreseeable, they still generate sufficient tension to keep the
pages turning.
With a story that eventually falls into place and characters that
occasionally have their moments, A Killing Tide isn’t terribly
disappointing or deeply flawed. But it is too uneven to get much more
than passing marks.
--Mary Benn
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